Deya, with its rugged beauty, the extraordinary layout of its houses and terraces, and its magnificent pine-clad coastline, was to prove the perfect environment for the Bradbury's vision.
Both Bob and Dorothy lived for their art. Dorothy died at the tragically early age of 67 in 1980, but Bob continued to paint in the open air until just before his death in 2011, aged 98. In today's embattled world, it is a delight to encounter the work of two artists who set out to celebrate its beauty in an unrestrained and unselfconscious way.
Drawing their inspirations from Van Gogh, Gauguin, Matisse, and Majorcan predecessors such as Fuster Valiente, both artists succeeded in transcending their early influences, with Dorothy emphasizing the relationship between the feminine principle and the geography of Deya using an extraordinary technique of her own devising that straddles the border between printmaking and hand coloured mono-prints, while Bob moved towards a synthesis between the purity of Islamic art and Cezanne's concepts of natural design.
To the end of his life Bob continued to live in the same conditions of utmost simplicity he had shared with Dorothy, in which he viewed the making of his art as an object lesson in humility.
Their joint legacy - what one might reasonably call the fruits of their prelapsarian vision - still abides. Deya, though changed, largely retains the essence they found in it - an essence that somehow, miraculously, survived the Fall.